- 无标题文档
查看论文信息

中文题名:

 初中音乐课堂中古诗词歌曲的教学实践研究    

姓名:

 罗雅诗    

学号:

 20222104042    

保密级别:

 公开    

论文语种:

 chi    

学科代码:

 135101    

学科名称:

 艺术学 - 艺术 - 音乐    

学生类型:

 硕士    

学位:

 艺术硕士    

学位类型:

 专业学位    

学位年度:

 2025    

学校:

 石河子大学    

院系:

 文学艺术学院    

专业:

 音乐    

研究方向:

 音乐教育    

第一导师姓名:

 徐静    

第一导师单位:

 石河子大学    

完成日期:

 2025-05-16    

答辩日期:

 2025-05-17    

外文题名:

 Research on the Teaching Practice of Ancient Poetry Songs in Junior High School Music Classes    

中文关键词:

 古诗词歌曲 ; 初中音乐课堂 ; 教学策略 ; 教学实践     

外文关键词:

 ancient poetry and songs ; Junior high school music class ; Teaching strategy ; Teaching practice     

中文摘要:

古诗词作为中华民族文化的重要组成部分,承载着丰富的历史价值与文化内涵,每一首古诗词都凝聚了古人对自然、社会与人生的深刻理解,蕴含着丰富的哲理与情感。自古以来,古诗词与音乐有着密切的关系,古代文人通过吟咏诗词、作曲配乐来表达情感与思想,诗词的节奏、韵律与音乐的旋律相得益彰,这种结合不仅强化了语言的音韵美感,也使得诗词的意境和情感得到了更加生动的呈现。在《义务教育艺术课程标准》(2022年版)中,明确提出要发展学生的“文化理解”这一核心素养,特别是在初中音乐学科中,强调要“理解中国音乐文化中的中华美育精神和民族审美特质”。这一要求为音乐教育的目标指明了方向,而古诗词歌曲的教学恰恰能够在这一方面发挥重要作用。通过学习古诗词歌曲,学生不仅能提升音乐素养,体验音乐的艺术美,更能够在这一过程中感受到中华文化的深厚魅力,进而增强文化自信,促进其全面发展。因此,古诗词歌曲的教学不仅符合新课标对学生文化素养的培养目标,也对增强文化自信、推动中华文化的传承与创新起到了积极作用。

基于此,本文通过古诗词歌曲在初中音乐课堂中的教学实践,旨在探讨古诗词歌曲教学的有效方法。本文从文献综述和数据调查出发,结合教学实践,分析了情景化教学活动和“诗乐画”融合课堂等多元化教学策略。通过情景化教学活动,教师创造与古诗词相关的教学情境,使学生在真实语境中体验和理解诗词的文化背景及情感深度,增强了学习的互动性和趣味性。同时,“诗乐画”融合课堂将音乐、诗词与绘画有机结合,提供了多感官的学习体验,不仅丰富了学生的艺术表现形式,也激发了他们的创造力。本文还进一步探讨了教师的教学策略、课堂互动及学生学习效果的影响,指出这些教学方法在促进学生全面发展的同时,有助于优化教学内容和形式,提升课堂教学的有效性。然而,研究也指出在实施过程中存在的挑战,并提出了相应的改进策略和建议。

本文分为六个部分依次进行论述。第一章绪论部分介绍了本文研究背景、目的及意义,阐述了古诗词歌曲在初中音乐教育中的重要性,并明确了研究的主要内容和方法。第二章定义了古诗词歌曲的概念,并回顾了其发展历程,分析了其在历史上的演变及主要特征。第三章讨论了古诗词歌曲在音乐教学中的作用和意义,分析了其在初中音乐教材中的编排和应用情况。第四章结合对C市R学校的问卷调查数据进行分析,探讨了当前教学的实际情况、存在的问题以及教师和学生的反馈。第五章通过具体的教学案例展示了古诗词歌曲在课堂上的应用,包括唱歌课和欣赏课的实施情况。第六章总结出初中音乐课堂中古诗词歌曲的教学策略、实践成果与教学建议。

外文摘要:

As an important part of Chinese national culture, ancient poetry carries rich historical value and cultural connotation. Each ancient poem embodies the ancients' profound understanding of nature, society and life, and contains rich philosophy and emotion. Since ancient times, ancient poetry has had a close relationship with music. Ancient literati expressed their emotions and thoughts by chanting poetry and composing music. The rhythm and rhyme of poetry complement each other with the melody of music. This combination not only strengthens the beauty of language, but also makes the artistic conception and emotion of poetry more vivid. In the "Full-time Compulsory Education Art Curriculum Standards" (2022 Edition), it is clearly proposed to develop students' core literacy of "cultural understanding", especially in the junior high school music subject, emphasizing the need to "understand the Chinese aesthetic education spirit and national aesthetic characteristics in Chinese music culture". This requirement points out the direction for the goal of music education, and the teaching of ancient poetry and songs can play an important role in this regard. By learning ancient poetry and songs, students can not only improve their musical literacy and experience the artistic beauty of music, but also feel the profound charm of Chinese culture in the process, thereby enhancing cultural confidence and promoting their all-round development. Therefore, the teaching of ancient poetry and songs not only meets the goal of cultivating students' cultural literacy in the new curriculum standards, but also plays a positive role in enhancing cultural confidence and promoting the inheritance and innovation of Chinese culture.

Based on this, this thesis aims to explore effective methods of teaching ancient poetry and songs through the teaching practice of ancient poetry and songs in junior high school music classes. Starting from literature review and data investigation, combined with teaching practice, this thesis analyzes diversified teaching strategies such as situational teaching activities and "poetry, music and painting" integrated classrooms. Through situational teaching activities, teachers create teaching situations related to ancient poetry, so that students can experience and understand the cultural background and emotional depth of poetry in a real context, which enhances the interactivity and fun of learning. At the same time, the "poetry, music and painting" integrated classroom organically combines music, poetry and painting, providing a multi-sensory learning experience, which not only enriches students' artistic expression, but also stimulates their creativity. This thesis further explores the impact of teachers' teaching strategies, classroom interactions and students' learning effects, pointing out that these teaching methods can promote students' all-round development while helping to optimize teaching content and form and improve the effectiveness of classroom teaching. However, the study also points out the challenges in the implementation process and puts forward corresponding improvement strategies and suggestions.

This thesis is divided into six parts to discuss in turn. The first chapter introduces the background, purpose and significance of this research, expounds the importance of ancient poetry and songs in junior high school music education, and clarifies the main contents and methods of the research. The second chapter defines the concept of ancient poetry songs, reviews its development, and analyzes its evolution and main characteristics in history. Chapter three discusses the role and significance of ancient poetry songs in music teaching, and analyzes their arrangement and application in junior high school music textbooks. The fourth chapter analyzes the questionnaire survey data of R School in C City, discussing the current actual situation of teaching, existing problems, and feedback from teachers and students. Chapter five shows the application of ancient poetry songs in class through specific teaching cases, including the implementation of singing lessons and appreciation lessons. Chapter six is the teaching strategy, practical achievements, and teaching suggestions for ancient poetry songs in junior high school music class.

参考文献:

1.著作类

[1]杨荫浏.中国古代音乐史稿[M].北京:人民音乐出版社,2016.

[2]中华人民共和国教育部.义务教育艺术课程标准(2022年版)[S].北京:北京师范大学出版社,2022.

[3]谢征.音乐教育概论[M].南昌:江西高校出版社,2011.

[4]乐云,黄鸣.唐诗宋词鉴赏辞典[M].武汉:崇文书局,2015.

2.学位论文类

[5]朱丽.美育背景下高中音乐课程中古诗词歌曲的教学研究[D].贵阳:贵州师范大学,2023.

[6]陈楠.古诗词歌曲融入初中音乐课堂的教学实践研究[D].苏州:苏州大学,2023.

[7]刘晓宇.古诗词歌曲引入初中音乐教学的实践研究[D].桂林:广西师范大学,2022.

[8]张静.古诗词歌曲在对外汉语教学中的应用[D].济南:山东师范大学,2022.

[9]赵永祺.《经典咏流传》在对外汉语古诗词教学中的应用研究[D].青岛:青岛大学,2021.

[10]王杰.“古诗新唱”在汉语国际教育中的运用探索[D].绵阳:西南科技大学,2021.

[11]梁爽.中国古诗词艺术歌曲在高校声乐教学中的运用研究[D].乌鲁木齐:新疆艺术学院,2021.

[12]周文超.学科融合视野下的初中音乐古诗词歌曲教学研究[D].厦门:集美大学,2021.

[13]周思沙.高中音乐课堂古诗词歌曲的教学实践研究[D].南宁:南宁师范大学,2021.

[14]黄璐.中国古诗词艺术歌曲的演唱研究[D].北京:中国音乐学院,2020.

[15]蒋颖.古诗词歌曲在初中音乐课堂中的教学实践研究[D].天水:天水师范学院,2020.

[16]张建英.古诗词歌曲引入小学音乐课堂的教学实践探究[D].南充:西华师范大学,2019.

[17]郭佳.古诗词歌曲在小学音乐教学中的实践研究[D].新乡:河南师范大学,2019.

[18]熊洁.古诗词歌曲引入小学音乐课堂的教学实践研究[D].赣州:赣南师范大学,2018.

[19]张珂珂.古诗词歌曲进入小学音乐课堂的可行性研究[D].信阳:信阳师范学院,2018.

[20]龙盛丽.古诗词歌曲运用于对外汉语教学的探索[D].成都:四川师范大学,2014.

[21]郝建红.诗乐相融古为今用[D].济南:山东师范大学,2007.

[22]王敏.谈古诗词与歌曲音乐的相融教学[D].武汉:华中师范大学,2002.

[23]李桐.古诗词流行歌曲的审美特征与演唱研究[D].成都:四川音乐学院,2023.

[24]马雯.苏轼《水调歌头·明月几时有》歌曲的艺术特色与演唱研究[D].南昌:江西师范大学,2017.

[25]赖毓雯.《毛泽东诗词》的概念隐喻分析与翻译研究[D].福州:福建师范大学,2016.

[26]吴喆.弹词歌曲《蝶恋花·答李淑一》的演绎[D].南京:南京艺术学院,2013.

[27]缪芮.中国古典诗词歌曲研究[D].桂林:广西师范大学,2017.

[28]王秋丁.古诗文教学传承中华传统文化研究[D].成都:四川师范大学,2019.

[29]杨玲.苏轼《水调歌头》歌曲研究[D].南京:南京艺术学院,2011.

[30]吴汶仪.古诗词歌曲在小学音乐歌唱教学中的运用探微[D].西安:西安音乐学院,2019.

[31]朱忠华.《新学堂歌》在中小学音乐课教学中的应用[D].长春:吉林艺术学院,2019.

3.学术期刊类

[32]李海涓.“课程思政”理念下声乐课堂的古诗词歌曲的教学实践——以《青玉案·元夕》为例[J].豫章师范学院学报,2022,37(01):36-40.

[33]李秀敏.中国古诗词艺术歌曲在声乐演唱专业中的教学研究[J].乐府新声(沈阳音乐学院学报),2012,30(04):158-161.

[34]饶泽荣.国学在音乐教育中的传承——中国古诗词歌曲教学探究[J].音乐探索,2011,(01):49-51.

[35]崔云霞.跨学科视域下音乐融合其他课程教学的策略分析[J].教学管理与教育研究,2023,(06):113-115.

[36]王菊.中国古诗词歌曲课程教学改革与创新——以《江城子·乙卯正月二十日夜记梦》为例[J].艺术评鉴,2022,(15):1-4.

[37]方琼.古诗词歌曲演唱的教学与研究之我见[J].人民音乐,2022,(08):54-57.

[38]刘希,张海彬.美育时代背景下古诗词歌曲在初中音乐课堂中的教学探索[J].大众文艺,2022,(13):193-195.

[39]洪楚妍,徐玲.将古诗词歌曲融入中小学音乐课堂的创新实践研究[J].大众文艺,2022,(08):142-144.

[40]窦佳佳.小学音乐教学中融入古诗词音乐文化的实践研究[J].戏剧之家,2022,(04):172-173.

[41]郑小芸,应晓芳.诗化音乐乐化诗歌——透过“音乐基本要素”分析“古诗新唱”多样教学的实践研究[J].中国音乐教育,2017,(11):25-29.

[42]韩静.中国古诗词艺术歌曲在声乐教学中的应用价值——评《声乐演唱与教学》[J].中国教育学刊,2017,(06):145.

[43]刘双.歌曲《阳关三叠》艺术分析[J].大舞台,2012,(08):60-61.

[44]邓钥琼.古典与现代的融合——《但愿人长久》三种演唱版本阐释[J].音乐时空,2015,(18):19-20.

[45]王旭丽.弹词《蝶恋花·答李淑一》浅探[J].解放军艺术学院学报,2006,(01):79-81.

[46]黄丽君.古典诗词歌曲进入小学音乐课堂的教学策略研究[J].中小学音乐教育,2012(05):12-13.

[47]罗平凡,赵年秀.音乐在小学古诗词教学中的运用探析[J].湖南人文科技学院学报,2013(04):89-93.

[48]黄源.核心素养视域下初中音乐有效课堂构建研究[J].贵州教育,2021(16):41-42.

[49]周健.论初中音乐教学中培养学生音乐核心素养的有效途径[J].北方音乐,2020(06):183-186.

中图分类号:

 J6    

开放日期:

 2025-05-27    

无标题文档

   建议浏览器: 谷歌 火狐 360请用极速模式,双核浏览器请用极速模式